The carol has remained a central a part of our seasonal tradition for people of Christian faith and none. It is one among the few remnants of explicitly religious heritage that England has, and has even survived atheist attempts to sabotage it by rewriting the words to be more acceptable to secular ears.
The Yuletide carol has a tumultuous history, surviving many ups and downs over the centuries to bring us cheer within the cold winter months.
According to the Museum of the Bible, the primary Christmas carol was introduced around AD 129, when the Bishop of Rome, Telesphorus, decided that churches must sing the ‘Angel’s Hymn’ at Christmas. This was based on the gorgeous words of the angels celebrating the birth of Christ, recorded in Luke 2:14: “Glory to God in the very best heaven, and on earth peace to those on whom his favour rests” (NIV).
Church music developed through the next centuries, with the Mass punctuated by specified Latin chants, which were more elaborate during special seasons within the church yr, especially Christmas and Easter.
The early carols were formal hymns in Latin, but we hear their echoes through the centuries as many were translated into local languages, corresponding to Come, Thou Redeemer of the Earth and Of the Father’s Heart Begotten.
What we consider a ‘carol’ today is more akin to the church music equivalent of ‘pop’ music: the setting of Christian verse to folk melodies within the languages of the people. Medieval monks corresponding to Adam of St Victor and St Francis of Assisi promoted these songs within the vernacular. In English, the earliest such carols are credited to the priest John Audelay, who died around 1426 and recorded The Little Flower and other early songs in his Caroles of Cristemas.
The Puritans in England weren’t keen on Christmas celebrations, so the common-or-garden carol was banned, though singing continued in secret behind closed doors. Various other movements within the church have altered officially sanctioned music, either rejecting or accepting the carol.
But the charm of carols for strange people has resisted all attempts to suppress them. Here are a few of our most ancient and historic Christmas carols and the stories behind them:
O Come, O Come, Emmanuel
This Advent favourite began as a Latin hymn, based on the monastic tradition of singing the “O Antiphons” within the seven days leading as much as Christmas, a practice that dates back to the eighth century or earlier. These antiphons each check with an attribute of Christ: O Wisdom, O Lord, O Root of Jesse, O Key of David, O Dawn of the East, O King of the Nations, and O Emmanuel. They were sung before and after Mary’s hymn of praise, the Magnificat, which monks and nuns chant each day.
The tune we all know today hails from a minimum of Fifteenth-century France, even though it could have earlier roots, because it resembles Gregorian chant, essentially the most ancient form of Christian music.
The Coventry Carol
This carol was a part of one among the Coventry ‘mystery plays’ based on the Nativity, although they were often performed in summer. The haunting minor key tune suits the mournful subject of the lyrics, which recount the massacre of the innocents by King Herod. The carol says goodbye to the young children through the repeated “bye, bye, lullay” refrain.
Here We Come A-Wassailing
Wassailing is the old name for carolling, where choirs went house to deal with singing Christmas songs and receiving a present in return. This cheerful song commemorates that practice. The tradition is memorialised in Thomas Hardy’s Victorian novel Under the Greenwood Tree, as is the traditional tradition of arguing over music in worship.
The carol’s lyrics remind listeners of their obligation to donate to the singers, though there’s little celebration of the birth of Christ. It does, nonetheless, ask for God’s blessing on the home.
The Holly and the Ivy
Like many people songs and hymns, there are records of variations in each words and music linking holly, ivy, and Christmas. The tune we all know best today was sung by a Mrs Mary Clayton in Chipping Campden, based on Cecil Sharp in his 1911 book English Folk-Carols.
The association of holly and ivy with Christmas is commonly interpreted today via the secular tendency to link Christian traditions to paganism. However, using these plants at Christmas is more rooted in medieval times when early carols featuring holly and ivy were sung. Evergreen plants were used to brighten homes for the season before modern tinsel and baubles.
Different regions had their very own traditions: within the East Riding, evergreens were brought in on Christmas Day and removed by Twelfth Night, with strict instructions to throw them away reasonably than burn them to avoid bad luck. In other areas, they remained until Good Friday.
According to Susan Drury in a 1987 research paper, holly, ivy, and mistletoe became popular at Christmas “not only because they’re evergreen, but because, unlike most other plants, they bear fruit in winter.”
O Holy Night
The French original, Cantique de Noël, first featured at a Midnight Mass in 1847. It became immediately popular and was soon translated into other languages, though the English version changes the meaning barely. Unfortunately, the French church banned it, sensitive to its revolutionary message, strident tone, and certain theological elements. However, its popularity ensured its survival.
It is claimed to have been sung across the battlefield through the famous Christmas truce in WWI and is commonly voted amongst the general public’s favourite carols.
What Child Is This?
The author of this carol, William Chatterton Dix, nearly died in 1865 and endured a period of deep depression. However, he was spiritually renewed through prayer and went on to jot down several inspirational hymns, corresponding to Alleluia! Sing to Jesus and As with Gladness, Men of Old. One of his first works was this Christmas carol, set to the normal tune Greensleeves.
Heather Tomlinson is a contract Christian author. Find more of her work at https://heathertomlinson.substack.com/Â or via X (Twitter) @heathertomli.
